Follow four interconnected Chicago couples as they explore the boundaries of self-pleasure and sexual exploration.

Follow four interconnected Chicago couples as they explore the boundaries of self-pleasure and sexual exploration.

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

《吃的存在》是2015年11月12日起在韩国NAVER tvcast播出的网络电视剧，由李澈河导演，安英美、鲁敏宇主演。 　　该剧改编自韩国同名网络漫画，讲述了三抛一代（抛弃爱情、结婚和生育的一代）的主人公们为梦想、爱情和生计孤军奋斗的喜剧故事。 　　理想是当作家、现实里却是个小小打工生的刘阳（安英美饰）为了纪念失业去了摇滚俱乐部，结识了正在那里打鼓的设计师朴炳（鲁敏宇饰）。从此，刘阳的人生就与这个外貌是三次元美男、内心是四次元（个性强、思考方式独特）的纯情男子变得密不可分了。@电影FR

《吃的存在》是2015年11月12日起在韩国NAVER tvcast播出的网络电视剧，由李澈河导演，安英美、鲁敏宇主演。 　　该剧改编自韩国同名网络漫画，讲述了三抛一代（抛弃爱情、结婚和生育的一代）的主人公们为梦想、爱情和生计孤军奋斗的喜剧故事。 　　理想是当作家、现实里却是个小小打工生的刘阳（安英美饰）为了纪念失业去了摇滚俱乐部，结识了正在那里打鼓的设计师朴炳（鲁敏宇饰）。从此，刘阳的人生就与这个外貌是三次元美男、内心是四次元（个性强、思考方式独特）的纯情男子变得密不可分了。@电影FR

向Georges Méliès《恶魔房客》致敬的短片

向Georges Méliès《恶魔房客》致敬的短片

在浩瀚的宇宙中，地球宛如沧海一粟。在无尽的历史长河中，人类个体的生命犹如同稍纵即逝的火星。但即便生命如此短暂，自私、愤怒、欢乐、嫉妒、喜悦、忧虑、悲伤、恐惧等情感仍左右着人类的行为举止，他们就像生活的奴隶，每天为同样的事情所奴役驱使，而忽略了生命真正的意义。即使在经过几千几万年的进化，这一情况也不会改变…… 　　本片耗时4年，草图达上千张，未采用任何电脑和数字技术，全部由导演Don Hertzfeldt一人完成。荣获2005年德州国际短片暨录影带展观众大奖、2005年Malibu电影节观众奖最佳动画短片奖。